Mediehistoria / Media history
Ordförande / chair Henrik Örnebring (henrik.ornebring AT politics.ox.ac.uk)
Viceordförande / vice chair Eva Ekstrand (eed AT hig.se)
Fredagen den 17 augusti/ Friday 17th of August
| Tid/ Time |
Författare/ Author |
Kommentator/ Commentator
|
| 9.00-9.20 |
Introduction (HÖ & EE)
|
| 9.20-9.40 |
Monika Djerf-Pierre
|
Henrik G Bastiansen
|
| 9.40-10.00 |
Roosmari Kurvits
|
Laura Saarenmaa
|
| 10.00-10.20 |
Eva Ekstrand
|
Monika Djerf-Pierre
|
| 10.30-11.00 |
Kaffepaus/ Coffee break |
| 11.00-11.20 |
Rolf Werenskjold
|
Mats Hyvönen
|
| 11.20-11.40 |
Merja Ellefson
|
Roosmari Kurvits
|
| 11.40-12.00 |
Anne Karin Saether
|
Merja Ellefson |
| 12.30-13.30 |
Lunch |
| 13.30-13.50 |
Mats Hyvönen
|
Arne Johansen Ijäs
|
| 13.50-14.10 |
Laura Saarenmaa
|
Tiiu Kreegipuu
|
| 14.10-14.30 |
Per Vesterlund
|
Anne Karin Saether
|
| 14.30-14.50 |
Sari Elfving
|
Eva Ekstrand
|
Lördagen den 18 augusti/ Saturday 18th of August
| Tid/ Time |
Författare/ Author |
Kommentator/ Commentator |
| 9.00-9.20 |
Henrik G Bastiansen |
Niels Brügger |
| 9.20-9.40 |
Tomi Lindblom
|
Kjartan Olofsson
|
| 9.40-10.00 |
Henrik Örnebring
|
Tomi Lindblom
|
| 10.00-10.20 |
Niels Brügger
|
Henrik Örnebring
|
| 10.30-11.00 |
Kaffepaus/ Coffee break
|
| 11.00-11.20 |
Arne Johansen Ijäs
|
Rolf Werenskjold
|
| 11.20-11.40 |
Tiiu Kreegipuu
|
Sari Elfving
|
| 11.40-12.00 |
Kjartan Olofsson
|
Per Vesterlund
|
| 12.10-12.20 |
Summing up + discussion of arrangements for the next conference
|
Abstrakter/ Abstracts
The formation and first development of a genre system – the case of Norwegian broadcast
radio
Wenche Vagle
Faculty of Arts, University of Oslo
The paper presents
findings from a study on the text history of Norwegian radio in the interwar
years (1925-1940) (Vagle 2007). The study reveals that the programmes of the
1920s were mostly imperfect reproductions of existent cultural forms. Yet, a
beginning modernisation of the genre repertoire took place in the 1930s.
Whereas the rudimentary repertoire of the 1920s was built up by way of plain
copying from other domains in society, the latter half of the 1930s saw the
introduction of a more advanced genre-generating process whereby new genres
were formed through the mixing of two or more existing text norms. The study showed that a number of
developmental trends, which have marked the evolution of the radio’s registers and genres ever since, appeared already in the 1920s. The
patterns of change go in the direction of: • Greater diversity and variation in forms and
contents • Enhanced continuity • Shorter texts • Serialisation •
Fixed scheduling • Multi-voice formats •
Greater mixing of elements within programmes • Growing accent on the
communicative goals of information/actuality and entertainment Vagle, Wenche. 2007. ”I think
the listeners would like me to ask you, Mr Prime Minister, …”. The history of
texts and contexts in Norwegian radio with emphasis on the early period.
Doctoral dissertation. University of Oslo, Faculty of Arts
The Outward Appearance of Estonian Newspapers 1806–1940 and Mervola's Appearance
Spiral
Roosmarii Kurvits
University of Tartu
Pekka Mervola (Kirja,
kirjavampi, sanomalehti; 1995) has divided history of outward appearance of
Finnish newspapers into four eras: the era of book typography, of the corset,
of parading pages, and of modules. To explain the changes of the eras, Mervola
has created a model – the appearance spiral. He says that the appearance of
newspaper is a reflection of the volume of newspaper’s contents. The increase in the volume
of contents creates pressure on the previous appearance of newspapers. When the
volume of contents has tipled from the time of the onset of the period, there
arises a need to rearrange the contents and the appearance of newspapers. On the other hand, the volume of contents is
influenced by the social and economic situation. The aims of this paper are: • to find the main periods in the appearance of Estonian newspapers from
the first Estonian language newspaper (1806) up to the Soviet occupation (1940) and
their main characteristics; • to explore two problems: – do periods of the appearance of Finnish and
Estonian newspapers correspond to each other; – is it possible to use Mervola’s
appearance spiral to explain the changes of periods of appearance of Estonian newspapers.
My main method is content analysis. My data come from three Estonian central
newspapers at an interval of five years. At least 12 issues (weekly papers) or
6 issues (daily papers) were included each year.
Trettiotalets antifascistiska
bildjournalistik – några exempel
Eva Ekstrand
Högskolan I Gävle
På
Stockholmsutställningen 1930 manifesterades uppgörelsen med det gamla samhället
i den moderna Bauhausstilen. För den socialdemokratiska kvinnotidskriften
Morgonbris (1904- ) del kom den stora
stilmässiga förändringen - på ytan - först något år senare med en ny typ av
layout. Kaj Andersson lade ut sidorna enligt ett nytt modernt snitt med större
sidformat, ny papperstyp som var bättre lämpad för foto och rena ytor. Ut med gamla vinjetter, inramningar och
bokstavsträngsel i spalterna och in med vita ytor, uppbrutna spalter och bilder
på kors och tvärs. Redaktören influerades både av den ryska avantgardefilmen
och av den internationella pressen. I några opublicerade anteckningar skriver
hon: ”Inspirerad av bildverkan i nämnda filmer /.../ slog jag fram bilden i
Morgonbris. Det var förresten den ryskinspirerade vinjetten på Vi kvinnor i
fabriken som animerade Morgonbris dåvarande ledning att engagera mig för att
göra något nytt av denna tidning. På så sätt blev det jag som i svensk press
lanserade det moderna fotot.” (Citat ur avhandlingen Kaj Anderssons Morgonbris. Kvinnopress, trettiotal och längtan efter
fri tid. Eva Ekstrand 2007, s 73)
Det moderna fotografiet och fotomontaget blev en typ av bildretorik i den
antifascistiska kritiken. Med
utgångspunkt i några exempel på omslagsbilder i Morgonbris under
trettiotalet diskuteras influenserna av
(prel) franska tidskriften Vu och den
tyska Arbeiter Illustrierte Zeitung.
Nyhetsankare - om tilltal och
autenticitet i brytpunkten mellan monopol och konkurrens
Anna
Edin
Högskolan
i Gävle
Papret
handlar om tv-personlighet(er) i svensk tv, med särskild fokus på
nyhetsankare/presentatörer, under de sista åren av monopol och de första i
konkurrensens tidsålder (dvs slutet av 1980-talet och början av 1990-talet).
Studien inkluderar både public service-televisionen, SVT, och några av de
kommersiella kanaler som relativt snabbt etablerades, TV3 och TV4. I fokus står
frågor om tilltal, autenticitet och trovärdighet (se t ex Fiske 1987; Morse
1985 och 2004; Powers 1977; Stade 1990), och en diskussion kring
nyhetsankarnas/presentatörernas sociala och kulturella betydelser (jmf t ex
Brundson & Morley 1978; Ellis 2000). Vissa nutida jämförelser kommer också
att göras(Edin 2007).
En
kvantitativ analyse av mediedekningen av det globale 1968-opprøret i de tre
største norske avisene, Aftenposten, Dagbladet og Arbeiderbladet, med spesielt
fokus på dekningen av opprøret i de øvrige Skandinaviske landene.
Rolf Werenskjold
Faculty of Media and Journalism, Volda University College
All nyere
internasjonal forskning har lagt vekten på medias betydning for spredningen av
det globale 1968-opprøret. Gjennom dekningen i media fikk aktivistene i de
mange ulike land en følelse av å tilhøre en global bevegelse som kjempet for
lignende politiske målsetninger. Også de etablerte elitene vurderte at media,
spesielt fjernsynet, spilte en viktig rolle i spredningen av sosial og politisk
uro. Det finnes imidlertid få studier av 1968-opprøret og hvordan spredningen
gjennom media foregikk, hva slags opprør mediene formidlet og hvor
nyhetsdekningen kom fra. Eksisterende forskning har tatt det for gitt som a
priori at mediene spredte opprøret. Denne forskningsposisjonen har understreket
opprørets globale karakter i en tid da det var teknisk mulig å overføre
fjernsynssendinger via satellitt og hvor de internasjonale nyhetsbyråene
leverte nyhetsstoff fra hele verden. Mange har hevdet at 1968-opprøret er et
tidlig utkikkspunkt for å forstå elementer i globaliseringsprosessene innenfor
media i det tjuende århundre. I 1968 befant Norge seg i periferien i forhold
til begivenhetene i kjerneområdene for opprøret (som man også hadde gjort i
1780-årene og i 1848). Virkningene fra det globale 1968-opprøret kom først noe
etterkant, spesielt fra 1969 og utover tidlig på 1970-tallet. I motsetning til
under opprøret i USA, i europeiske land som Vest-Tyskland, Italia og Frankrike,
foregikk det ingen massemobilisering i Norge i 1968. Man fikk ingen store
massedemonstrasjoner og sammenstøt mellom demonstranter og politi i gatene i
Norge – slik man opplevde også i Danmark og Sverige. Kan den manglende
massemobiliseringen i Norge forklares med manglende formidling av det globale
opprøret i landets medier, i en periode hvor dagsavisene fremdeles var
partiaviser og pr. definisjon tilhørte de etablerte elitene? Problemstillingen
kaller på både en kvantitativ og en kvalitativ analyse av medietekstene om
fenomenet. Dette paperet gir en kvantitativ analyse av dekningen av det globale
1968-opprøret i de tre største og dominerende norske dagsavisene Aftenposten,
Dagbladet og Arbeiderbladet. Disse avisene var i 1968, sammen med
utenriksavdelingen i NRK, dominerende i formidlingen av utenlandsnyheter i
Norge. Analysen er basert på nyhetsdekningen og det redaksjonelle stoffet
avgrenset til året 1968, da opprøret var på sitt mest intense. Paperet retter
et spesielt fokus mot dekningen av 1968-opprøret i de øvrige Skandinaviske
land. Tyngdepunktet i paperet er lagt på hva mediedekningen om opprøret kan si
om mediene selv, og ikke i første rekke som en kilde for å forstå opprøret som
fenomen. På et overordnet nivå kan en analyse av mediedekningen kan gi viktige
bidrag til å forstå hvordan de nasjonale norske elitene tolket opprøret, og til
å vurdere 1968-opprørets globale eller nasjonale karakter.
“State is My Shepherd” -
Representation of Normalcy and Otherness in the 1930’ Swedish Press
Merja
Ellefson
Institutionen
för journalistik, medier och kommunikation (JMK), Stockholms
universitet
My intention is to study
the picture of various types of Others – groups
that are described as deviant or as a problem – in the Swedish press in late 1930’s. Nationalist, racist and religious beliefs are central parts of the
cultural conditions of our knowledge and they are positioned inside the
struggle of knowledge-power. However, in my view discrimination depends, not
only on a
possible racist heritage, but also on the way we imagine and govern the state
and its population. Therefore, I have chosen not to focus on ethnic minorities
only. My ambition is to identify which types of groups are depicted as deviant,
why they are thought to be different and how this may affect the image of
normalcy. My aim is to draft an outline
containing the problem of welfare of all and of citizenship, the link between
pastoral power and instruments of state, and the role of communication in the
processes of inclusion and exclusion. An important aspect in the welfare of the
population is the Foucauldian concepts of pastoral power, reason of state and
biopolitics, which has to do with the administration of people’s living conditions. Media plays an important role in the discourse about nation,
modernity and social engineering by popularizing various scientific and
national discourses. In essence, we are dealing with myth building and
myth-telling. The material examined
consists of four Stockholm-based newspapers: Dagens Nyheter,
Stockholms-Tidningen, Svenska Dagbladet and Social-Demokraten.
Norske mediebilder av Latin-Amerika
Anne
Karin Sæther
Studien
"Norske mediebilder av Latin-Amerika" er tilknyttet prosjektene Fra
halvkoloni til humanitær stormakt: Hundre år med "de andre" i norsk
presse og Mistenkelige Utlendinger, begge ledet av Anne Hege
Simonsen og Elisabeth Eide. Denne studien undersøker norske avisers omtale av
Latin-Amerika i utvalgte år i perioden fra 1902 og 2002. Den teoretiske
tilnærmingen er globaliseringsterori og diskursteori, og metodene er
kvantitativ analyse av et datamateriale bestående av 638 tekster og en mer
kvalitativ analyse bestående av utvalgte tekster. Funnene viser at
Latin-Amerika-dekningen er liten og preget av en stor andel notiser. Konflikt
er et dominerende tema, som sammen med et stort antall tekster om krig,
kriminalitet og katastrofer bidrar til å framstille Latin-Amerika som et område
preget av kriser, vold og uro. Vi finner også en tendens til økende
tabloidisering, der tema som sport og kjendiser får stadig mer oppmerksomhet.
1980-årene framstår som en periode med unormalt stor Latin-Amerika-dekning, og
dette skyldes hovedaklig USAs utenrikspolitikk, den kalde krigen og konfliktene
i Mellom-Amerika. Internasjonale maktstrukturer framstår generelt som en viktig
forklaringsfaktor for dekningen, antakelig viktigere enn den generelle
medieglobaliseringen.
Media content and representations in Estonia 1940 - 2005
Maarja Lõhmus
Dep of Journalism and
Communication, University of Tartu
Our study is based on a
content analysis of Estonian media from 1940 to 2005, incl. approx. 3500 coded
articles from 6 newspapers. The
question we ask in this presentation, is how did ‘cultural
indicators’ (G. Gerbner) work while being influenced by political regimes. We specially studied the evolution of
‘cultural indicators’, and got results about changes in the functions of media,
formats and genres, sources (both: personal and impersonal), stratifications and
the roles of “public” in society, thematic structure, structures of
attitudes, value systems, differences of Estonian and Russian media in
Estonia. We also clarified that the
composition of reflexive and constructive elements in media texts is dependent
of sociopolitical period.
Ytringsfrihet og blasfemi. En komparativ analyse av
ytringsfrihetbegrepets bruk og begrunnelse
Åke Refsdal Moe
Department of Media and
Communication; University of Oslo
Ytringsfriheten
er et hyppig benyttet begrep i offentlig debatt. Likevel er det sjelden
ytringsfrihetens begrunnelse diskuteres i et prinsipielt perspektiv i slike
sammenhenger. Når det likevel skjer er det ofte som utslag av brede
kontroverser hvor forholdet mellom religiøs tro og ytringsfrihet står
sentralt. Paperets hovedformål er å undersøke hvordan
ytringsfrihetsbegrepet brukes og begrunnes av ulike aktører i mediedebatter
hvor forholdet mellom religiøse trosforestillinger og ytringsfriheten er et
sentralt element. Undersøkelsen gjennomføres som en komparativ tekstanalyse med
utgangspunkt i norsk presses dekning av tre slike kontroverser med et historisk
spenn på 75 år; den såkalte Øverland-saken (1933), Rushdie-saken (1990) og den
såkalte karikaturstriden (2006). Sentralt
står en påstand om at ytringsfrihetsbegrepets bruk og begrunnelse har
gjennomgått en historisk endringsprosess. Samtidig innehar begrepet i dag et
fortolkningspotensial som muliggjør en diskursiv kamp om definisjonsmakten, noe
som benyttes strategisk av ulike aktører i debatten.
Visuell välfärdsretorik – bilder av
lönearbetete och arbetsmarknad i svenskt efterkrigstid
Mats
Hyvönen
Högskolan
i Gävle
Syftet
med mitt paper är att diskutera hur audiovisuella medier användes i formeringen
av det svenska välfärdssamhället efter andra världskriget. Som utgångspunkt tas
bilder (även i betydelsen diskursiva föreställningar) av lönearbete och
arbetsmarknad i arbetarrörelsens medieproduktion. Några inledande
undersökningar har gjorts med skilda typer av källmaterial: Filmer, broschyrer
och affischer, men även tidningsartiklar från en tävling, ”Industrins A-flicka”, som Morgon-Tidningen (MT) genomförde
åren 1951-1953. Kring lönearbetet och
arbetsmarknaden aktualiseras centrala politisk-ideologiska teman om människan
och samhället (samt relationen dem mellan). Bilder av lönearbete och
arbetsmarknad ger inte bara kunskap om hur mottagaren kan förstås (till exempel ”arbetaren”,
”svensken” och ”medborgaren” som
konstruerade och generaliserade identiteter). Med utgångspunkt i
arbetarrörelsens medieproduktion studeras också hur avsändaren definierar sig i
förhållande till mottagaren. Denna relation undersöks i ett tredje steg som en
övergripande ”bild”; hur
förstås det samhälle i vilken denna relation existerar? 1950-talet utgör en intressant period i en
alltmer tekniskt sofistikerad och massmedialiserad tidsålder i vilken medierna
och politiken flätas samman med varandra. Moderna visuella massmedier blir
allt viktigare som medskapare av föreställningar kring lönearbete,
arbetsmarknad och det välfärdssamhälle som tar form efter andra världskriget.
Masculine intimacies. Re-reading Finnish yellow
press of the 1960s and 1970s
Laura Saarenmaa
University of Tampere
Intimisation of
media culture has often been explained by strengthening of feminine voices
dealing with intimate issues in the field of popular media. However, it was men who first introduced the
intimate discourse in the “yellow press” in the mid 1960s. Finnish scandal
magazines and mens’ magazines of the 1960s and 1970s are marked by voices of
masculine intimacies; stories of mens’ personal tragedies, injustices, shame,
hurt and gossip. Rather than masculine intimacies, the stories have been
interpreted in the framework of social politics and structural change of the
society. In the paper the stories are read in a different way. They are
interpreted as comforting voices of insecurity during the period when the
cultural ideals of masculinity where in change.
Svensk bostad i rörlig bild: HSB:s
filmproduktion
Per
Vesterlund
Avdelningen
för medier, kommunikation och film Institutionen för humaniora och
samhällsvetenskap Högskolan i Gävle
HSB – Hyresgästernas sparkasse- och byggnadsförening –
bildades 1923. I samarbete med olika filmbolag gör man från fyrtiotalets mitt
en rad filmer av varierande karaktär. Dels förevigas HSB:s årliga konferenser,
dels producerar man en rad filmer för att informera om (och dokumentera)
bostadsbyggande och bostadspolitik.
Grundtankarna i en socialt medveten bostadspolitik skulle spridas till
det svenska folket. Under 1900-talets mitt hade filmmediet intagit rollen som
det dominerande visuella massmediet. Detta är inte minst synligt i ett nationellt
svenskt perspektiv där politiska partier och myndigheter och näringsliv
intensivt samverkade med filmindustrin. Denna filmpraktik skulle kunna studeras
ur ett effektperspektiv – med frågor
som rör ideologi, påverkan och hegemoni i fokus. Dessa filmer visualiserade
folkhemmet och moderniteten Samtidigt kan andra typer av frågor om offentlighet
och retorik ställas - frågor som rör dessa filmers relation till
en omgivande visuell kultur och dess retoriska och genremässiga
konventioner. Ett historiska källvärde
har filmerna också på ett högst manifest plan: dels i och med det faktum att de
producerats (och därmed påvisar filmens status som medium i sin samtid), dels i
och med de verksamheter de bokstavligen visar – i HSB:s fall som indexikala tecken för förnyelsen av det
svenska urbana landskapet. Genom ett
antal filmexempel kommer jag att ge exempel på både filmiska stilfigurer
och arkitektonisk representation i HSB:s filmer.
Intimate friends and startling comets. Television stardom in
Finnish media history
Sari Elfving
University of Tampere
Intimate friends and
startling comets Television stardom in Finnish media history. As American television scholars Cecelia
Tichi and Lynn Spigel have noted, the so called television environment has been
constituted for the most part outside TV itself – in
magazines and newspapers. (Tichi 1992, Spigel 1992) According to Tichi in the
United Stated “they speak about and behalf of, the object, television”. My presentation will discuss how the Finnish
television environment got constructed in magazines during the 1960’s and the
70’s. As some scholars in media history have suggested, the relationship
between TV and the magazines has been based on synergy (a principle of
reciprocial gain). My presentation discusses one form of this synergy in detail: how where popular
television performes discussed in the press? How did they become intermedial
stars? My presentation will discuss the
subject of media history from the perspective of intermediality. It is based on
on-going dissertation project for the University of Tampere.
The Mobile Phone in Norway - from idea to everymans tool
Henrik G. Bastiansen
The Norwegian Press
History Project
This paper is a study of
how the mobile telephone has become everymans tool in Norway. The process has taken
abourt 40 years, starting in the late 1960s and ever expanding since that:
during the 1970s 1980s and 90s. The paper presents different stages in the
diffusion process of the mobile, and is also discussing the role of other media
in relation to the success of the phone, espesially the role of newspapers and
of advertising. The paper is treating the mobile phone as a part of newer media
history in Norway.
History of New Media in the Three Largest Media Companies in Finland
Tomi Lindblom
University of Helsinki
Finnish media companies
started to publish their content on the Internet in 1995. This paper tells
about the editorial and financial strategies related to Internet, mobile
services and other forms of new media in the three largest media companies in
Finland: Alma Media (including e.g. MTV3), Yleisradio (Finnish Broadcasting
Company) and Sanoma Oy (including e.g. Helsingin Sanomat). This study gives
answers to the questions of why, when and how the above mentioned companies
started their online business and publications and how they reacted to the 'new
media bubble' in the beginning of the 2000's.
Some of the companies built large mobile portals and started with many
other investments. However, instead of great success they wasted a lot money
with them. Some of the companies even built many totally new online brands
which they were forced to close quite soon after their birth because of the
poor success. This paper presents the historical timeline of 10 years of the
history of Finnish new media publications in 1995-2004.
The technologisation of journalism: historical perspectives
on news, technology and labour
Henrik Örnebring
Reuters Institute for the
Study of Journalism
The relationship between
journalism and new technology is the focus of many current debates about/within
the news – as in for example discussions of
blogging-as-journalism, the rise of user-generated content in news, and the
rise of the 24/7 news cycle. The technological impact on journalism (both as a
set of practices and as a set of texts) is highly noticeable for newsworkers themselves
and highly visible for audiences. However, it is rarely acknowledged that a set
of processes that taken together can be termed the technologisation of
journalism has been going on since at least the mid-to-late 19th century and
the introduction of the telegraph and various other production technologies.
The rise of user-generated content in journalism (in the form of blogs, image
provision etc) is frequently hailed as a democratisation of journalism. In
contrast to this celebratory view, I want to develop a framework for
understanding the journalism/technology relationship that is critical and
historical. Drawing upon theorists like Hardt (1990, 2000, also see Hardt &
Brennen (eds) 1995) and Winston (1998) I suggest that the technologisation of
journalism instead can be viewed as an erosion of key democratic ideals and
processes, and that technologisation is intimately linked to societal processes
of deskilling of labour (Braverman, 1974) and casualisation of labour (Heery
& Salmon (eds) 2000, Burchell et al (eds) 2002).
Website History: Theoretical and Methodological Problems in
an Emerging Field
Niels
Brügger
Institut
for Informations- og Medievidenskab, Aarhus Universitet
Today no one would dispute
that the internet has been an important part of our communicative
infrastructure for some years now. Nevertheless internet history is a
relatively blank sheet within media history, not to mention the sub-discipline
of website history. This paper
puts on the agenda some of the new and fundamental theoretical and
methodological problems within the emerging field of website history. The focus
will be on questions emanating form the specific being of one of the main
sources: the website itself. The discussion will take as its starting point the
research project entitled 'The History of dr.dk 1996-2006' (the history of the
website of Danmarks Radio, funded by the Danish Research Council for the
Humanities and the Danish Ministry of Culture). Since websites are dynamic they
must be archived in order to create a stable object of study, but what are the
problems related to the use of archived websites? The paper will address the
following three interrelated issues: 1) What is a website? 2) The archived
website as document 3) The problems of time. The problems of time will be
discussed on the basis of the first test of archived websites in different web
archives (spring 2007). As a result of
the characteristics of the website, serious problems are appearing on the
horizon as regards source reliability and references, and source criticism
appears to have acquired new, perhaps unfeasible, responsibilities.
Nerdic Myths: Missing Dimensions in the Archaeology of
Counterculture Computing
Jeff Taylor
University of Lapland
This paper identifies and
explores the largely unexamined connection between dominant cultural discourses
and new media developments of the 1970s within the 'radical computing'
subculture of the era and especially concentrated in the Bay Area of San
Francisco – what Roszak has called the Computing Counterculture – and how these
discourses have continued to recur and impact development of media as cultural
phenomena ever since. Paramount and integral were the interconnected discourses
surrounding Politics, Community and Education within the cultural context of
counterculture computing, as within the counterculture itself. These
discourses have been mainly neglected from even the few social histories that
have focused at all on the era. As media archaeology, this paper aims to reveal
hidden and suppressed dimensions of media history in order, ultimately, to help
us better understand the forces that are shaping present media culture. The
challenge is thus twofold: 1) to comprehensively demonstrate the significance
of counterculture discourse regarding not only politics, the galvanizing
discourse of anti-Vietnam War politics, but also discourse regarding education
and community – discourses that were in each arena alternative and therefore
'counter' to their mainstream counterparts; and 2) to articulate the hypothesis
that these three discourses – of alternative politics, education and community
– have recurred cyclically since the 70s as 'webs of signification'
constituting subsequent new media.
Samisk pressehistorie
Arne
Johansen Ijäs
Samisk
høgskole
I forbindelse med samisk nasjonsbygging i
Norge, Sverige, Finland og Russland har samisk presse fått en sentral oppgave.
Særlig i Norge har samene sett betydningen av samiske aviser. I dag kommer det
ut to samiskspråklige aviser to ganger i uka i Kautokeino og Karasjok. Denne
artikkelen gir en oversikt over samisk pressehistorie fra den første avisa ble
trykket i 1873 og fram til i dag. Historien preges av ulike faser, og mange av
utgivelsene var døgnfluer. I begynnelsen av 1900-tallet ble det gitt ut flere
aviser i forbindelse den første samepolitiske mobiliseringen. Midt på
1900-tallet lå samisk presse nede for telling, men etter andre verdenskrig
startet et iherdig arbeid på norsk side for å etablere samisk presse på nytt. I
1956 så avisa Sagat dagens lys, og i 1978 startet avisa Sámi Áigi i Karasjok
som etter en konkurs i 1994 ble til Min Áigi. Samme år ble det etablert nok en
samisk avis i Kautokeino, Aššu.
Artikkelen vil drøfte bakgrunnen for etableringen av de samiske avisene
og sette dette i sammenheng med nyere samisk historie.
The history of Estonian printed press during the years of
Soviet occupation -- how to research it?
Tiiu Kreegipuu
University of Tartu, Department of Journalism
and Communication
The media system in the
occupied Baltic States during the years 1940-1991 was to exist in the conditions of
a totalitarian society. The historical research of the media in Estonia during the years of the
Soviet occupation raises several theoretical and methodological questions, as
all of the media channels were handled as the tools of the Soviet propaganda. .
My research is focused on the Soviet Estonian newspapers. I am trying to find
out how the Soviet media system in general was introduced in Estonia, which were the
ideological goals of the journalism and how the newspapers were turned into the
weapons of the Communist Propaganda. The
most intriguing questions are: how to read the Soviet newspapers today, which
theoretical and methodological approaches could be used to find out how the
press was communicating with the society, how were the newspapers as propaganda
vehicles supposed to function from the standpoint of the Soviet ideologists and
to what extent the propagandistic goals were achieved in reality. As the Soviet
newspapers were written in the ideological political discourse rather than in a
journalistic one, the methods of textual analysis can lead us to interesting
results. I have come to conclusions, that methods like discourse analysis could
lead us to very interesting results. It's wide scale of methodological and
analytical approaches reveal much not just about the current discourse or text
but about the media system and totalitarian society in general.
Children and television in Iceland: Changing times – changing questions?
Kjartan Olafsson
University of Akureyri
The proposed presentation
will focus on the issue of stability in long term research projects like
Children and television in Iceland. It seems to be a commonly held idea that
research projects using repeated surveys as a method for measuring social
change should aim at keeping changes in the research design between surveys at
an absolute minimum. However, when the
time span of a research project is stretched over several decades and when the
subject matter is characterized by instability, rather than stability, the
ideal of standardization will eventually come into conflict with the need to
keep the project in touch with its research subject. The presentation will discuss how these
issues have been addressed in the research project Children and Television in
Iceland by focusing on the question used to measure the amount of television
viewing in the (by now) six waves of surveys conducted in the project. The question of quantity has always been
among central issues in media research and few researchers would probably say
that information on how much one reads, listens or views is of no value at
all. Measuring the amount of media usage
is however a complicated matter and when the variable time is added the issue
becomes even more difficult.
Mediehistoria
Arbetsgruppen intresserar sig för mediehistoria i dess vidaste bemärkelse. I de nordiska länderna har mediehistorisk forskning gamla anor och starka traditioner, främst inom forskning kring mediernas politiska och ekonomiska historia samt medieinstitutionernas historia. Arbetsgruppen för mediehistoria vill både ta tillvara detta arv och utveckla fältet mediehistoria med nya perspektiv, såsom till exempel receptionshistoria, mediernas kulturhistoria, historiska analyser av specifika genrer och medierade diskurser, teknikhistoria, historiska analyser med komparativt perspektiv (t ex jämförelser mellan länder och mellan medier) och mediehistoria som belyser det inbördes förhållandet mellan olika medieinstitutioner och innehålltyper. Vi välkomnar också papers om metodologi, historiografisk teori, arkivvetenskap och dylikt.
Media History
The working group covers media history in its broadest sense. Historical research on the media has a long and lively tradition in the Nordic countries, in particular studies of the political and economical history of the media and the history of individual media institutions. The working group on Media History wishes to build on this heritage and expand the field using new perspectives, such as for example the history of media reception, cultural histories of the media, historical analysis of particular genres and mediated discourses, the history of technology, historical analyses using a comparative perspective (e.g. comparisons between different countries or between different media) and media histories that highlight the reciprocal relationship between different media. We also welcome papers on methodology, historiographic theory, archival studies, and so on.